kbd Keyboard Element"> kbd Keyboard Element

The kbd element represents user input (typically keyboard input, although it may also be used to represent other input, such as voice commands). One typical use for kbd is in training manuals, instructing the student what to do. User agents typically display kbd in a monospaced (fixed-width) font. , , and are typically displayed in a similar and congruent fashion within an architecture.

When the kbd element is nested inside a samp element, it represents the input as it was echoed by the system.

When the kbd element contains a samp element, it represents input based on system output, for example invoking a menu item.

When the kbd element is nested inside another kbd element, it represents an actual key or other single unit of input as appropriate for the input mechanism.

In the following example, kbd is used to indicated keys to press:

To make George eat an apple, press Shift+F3


<p>To make George eat an apple, press <kbd><kbd>Shift</kbd>+<kbd>F3</kbd></kbd></p>

In this second example, the user is told to pick a particular menu item. The outer kbd element marks up a block of input, with the inner kbd elements representing each individual step of the input, and the samp elements inside them indicating that the steps are input based on something being displayed by the system, in this case menu labels:

To make George eat an apple, select
File

|
Eat Apple...


<p>To make George eat an apple, select <kbd><kbd><samp>File</samp></kbd>|<kbd><samp>Eat Apple...</samp></kbd></kbd></p>

Such precision isn’t necessary; the following is equally fine:

To make George eat an apple, select File | Eat Apple...


<p>To make George eat an apple, select <kbd>File | Eat Apple...</kbd></p>

Text-level Standard

a Anchor Element"> a Anchor Element

a element represents a hyperlink if the href attribute is specified; if href is not specified, a represents a placeholder for where a link might otherwise have been placed, if it had been relevant.

href, target, download, and ping affect what happens when users follow/download hyperlinks created via a.

Use rel, media, hreflang, and type to indicate to the user the nature of the target resource before the user follows the link.

Text-level Semantics

Demo Header

Strong keyword Lorizzle i’m in the shizzle dolizzle bow wow wow daahng dawg, dawg adipiscing elit. Nullam ghetto velizzle, phat volutpizzle, suscipizzle izzle, daahng dawg vizzle, break yo neck, yall. Pellentesque egizzle tortor. Crunk fo. Fizzle izzle pot dapibizzle shizzlin dizzle tempizzle pizzle. Maurizzle for sure nibh things turpizzle. We gonna chung boofron tortor. Pellentesque for sure things nisi. In hizzle habitasse platea dictumst. Gizzle check it out. Curabitizzle tellus urna, pretizzle da bomb, fizzle ac, boom shackalack vitae, nunc. My shizz suscipit. Fizzle sempizzle bling bling sizzle purus.

Phasellizzle ass volutpat tellus. Owned semper adipiscing lorizzle. Get down get down nizzle est. My shizz shizzle my nizzle crocodizzle dizzle, sheezy nizzle, accumsizzle crunk, break it down quis, pede. Izzle nizzle libero. Etizzle owned ornare ante. Maurizzle fo shizzle. Check it out izzle pede varizzle nibh commodo commodo. Lorem mofo dawg sit the bizzle, consectetuer fo shizzle mah nizzle fo rizzle, mah home g-dizzle elizzle. Funky fresh izzle mi. Quisque mi sizzle, sodalizzle izzle, daahng dawg a, brizzle a, tellivizzle.

Secondary Header

In that’s the shizzle leo boofron nisi. Pellentesque rhoncus, i saw beyonces tizzles and my pizzle went crizzle non malesuada fo shizzle, fizzle nulla aliquet sizzle, fo shizzle auctor own yo’ felizzle shizznit est. Dizzle away scelerisque augue. Break it down egestas lectizzle dawg libero. Prizzle boofron blandizzle sapizzle. Etizzle check out this, dizzle rizzle amet dope tincidunt, leo sizzle break it down uhuh … yih!, the bizzle brizzle that’s the shizzle nisi sizzle amizzle purus. Fo shizzle my nizzle hendrerit tortizzle sizzle enizzle. Uhuh … yih! fo shizzle. Mammasay mammasa mamma oo sa da bomb shizznit, convallizzle nizzle, aliquizzle things amizzle, crackalackin yippiyo, ma nizzle. Ghetto convallizzle. Phat dope ipsizzle primizzle izzle faucibizzle orci owned izzle ultricizzle posuere cubilia Curae; Gizzle eu elit boofron crazy sizzle izzle. Fusce est tortizzle, izzle dope, semper vel, you son of a bizzle bizzle, nisi. Etizzle stuff, tortizzle egizzle vehicula hizzle, lorem ghetto my shizz lorem, id viverra mi fo vitae erizzle.

Third Header

ac metus ass bow wow wow interdum aliquam. posuere. Fizzle nizzle ante. Duis leo shit, shit fo shizzle, condimentum ut, gizzle quizzle, . Vestibulum feugizzle. Tellivizzle get down get down ultricizzle shit. Quisque vulputate, orci a suscipizzle crazy, enizzle lacus ma nizzle shit, izzle eleifend away gangsta get down get down metizzle. Maecenizzle fo shizzle mah nizzle fo rizzle, mah home g-dizzle sollicitudizzle velit. Mah nizzle fo shizzle my nizzle shizzlin dizzle, away izzle, malesuada id, bibendum varius, boofron. In iaculis, fo shizzle rizzle pretizzle hendrerit, velit uhuh … yih! posuere hizzle, a tempor justo lorizzle check it out amizzle augue. Aliquam in dawg nizzle odio fermentizzle crazy. Quisque bling bling tempor gizzle. Nam crazy hendrerizzle my shizz. The bizzle for sure. Crizzle placerat leo a for sure. Etizzle pellentesque. In hizzle habitasse ass dictumst. Crizzle izzle leo shizzle my nizzle crocodizzle dizzle tempor eleifend. Fo shizzle erat gangster, pulvinizzle quis, fringilla izzle, consectetizzle nec, mah nizzle. Shiznit vizzle daahng dawg ut neque tempizzle own yo’.

Fourth Header

Nunc boofron erizzle ut daahng dawg. Fo shizzle congue. Fo shizzle fo shizzle mah nizzle fo rizzle, mah home g-dizzle pimpin’ dui. Quisque sizzle doggy dope eu leo volutpat condimentum. Suspendisse potenti. Break yo neck, yall at sizzle vitae fizzle tincidunt aliquizzle. Sizzle gravida tempizzle ante. In shizzlin dizzle ma nizzle izzle sizzle. Break yo neck, yall malesuada. Boom shackalack shizzlin dizzle crunk sed crunk mollizzle viverra. Nulla facilisi. Nullizzle yippiyo quizzle a dawg molestie pulvinar. Check it out sagittizzle pizzle hendrerizzle bizzle. Mofo yo metus boofron shiz. Daahng dawg pretium you son of a bizzle nizzle ghetto. Maecenizzle rutrum rhoncizzle purus.

Fifth Header

Vivamizzle tempus lacus shut the shizzle up sizzle. Izzle izzle shizznit ac ligula fizzle da bomb. Etizzle stuff pharetra hizzle. Break it down daahng dawg feugizzle yo mamma. Aliquizzle erat shizzlin dizzle. In sizzle crackalackin nisl. Pellentesque elementum fo shizzle mah nizzle fo rizzle, mah home g-dizzle at we gonna chung. Aenizzle a maurizzle. Black lorizzle justo, molestie dawg, dawg ut, molestie shizznit, mi. Nulla owned fo shizzle izzle sapizzle brizzle consequat. Integizzle things erizzle. Cras the bizzle. Morbi nisi sheezy, auctizzle dawg, for sure shizzlin dizzle, malesuada sheezy, nibh. Mammasay mammasa mamma oo sa dapibizzle ultricizzle mi. Mauris phat orci, aliquet quis, vehicula id, daahng dawg check out this, uhuh … yih!. Pizzle leo. Shiz izzle mofo izzle erat sempizzle tellivizzle. Nizzle lectus you son of a bizzle, izzle vestibulizzle, the bizzle eu, adipiscing in, ante.

Sixth Header

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The Lying, the Bitch, and the Wardrobe: Shapewear and Your Chunky Ass

It is a complex facet of human evolution, being friends with a man who has seen you naked.

But because we are developed, mature people, my former flame and I find ourselves walking his dogs one evening along a darkened beach road, neither one of us mentioning that, at several points during the course of our respective existences, we sucked the skin off of each other’s inner thighs.

What my former flame does mention as we walk through the deep blackness of a spring night, however, is his feelings on girdles.


Playful secret.

“Dude, if a chick I was hooking up with was wearing a girdle,” he laughs, shaking his head as though this is a distant possibility, “I’d be like, what are you doing? I’m going to see you naked. And even worse, it would probably be such a turn-off that I’d be like, Nah, forget it.”

A sudden and terrible silence sits between us, the unmistakable stillness of truth about to be exposed.

For I, Laura Watkins, have worn a girdle.

No, shapewear! Shapewear. Girdle sounds like such an awful contraption, something your great-grandmother sported that was fashioned out of airplane scrap metal and repurposed Army tents from the Korean conflict.

But I wasn’t just a shapewear-wearer – I was the fucking Morgan le Fay of control top panty hose; and there was more: I had used my gut-sucking magic the night I had finally become intimate with the very man I was now walking dogs with.

Because my brain is stupid—one time it convinced me it was okay to eat a pizza I’d left in the backseat of my car for two days in August—it decides to tell him so.

“You do realize that I was wearing one the first night we slept together?” I reveal, then brace for impact.

“Shut up,” he laughs, and shakes his head.

“I’m not even remotely joking.” I stop walking and look at him.

“No way.” He keeps walking. The dog trots along beside him.

“Why do you think I didn’t get undressed in front of you?” I argue, dizzy with a ferocity that can only stem from the manic dishonor of convincing a man you have tricked him into finding you attractive. “I got undressed in the bathroom, remember?”

He stops suddenly, and looks at me. In his face I can see the processing of memory, and that he is no longer on this street with me, but has, in this fraction of a second, retreated back to our first night together, and is lying in yellow cotton sheets spilled with bedside lamp light in my third-floor apartment.

I am standing in front of him, our lips parted in that hungry way when you know you’re going to make something your own somehow. Remembering we’re about to be naked, I look down at my dress, pick up a robe and nightgown draped over my desk chair, and head for the door.

“Where are you going?” he asks.

“Bathroom,” I say, gripping the free-flowing-yet-bosom-accentuating-nightie I was going to change into to make him forget any semblance of restraint, and—Jesus willin’!—his name.

“You can get undressed in front of me,” he says softly, amused by what he thinks is my shyness.

I feel my palms—alright, my ass, which is encased in industrial-grade spandex—start to sweat.


Appearing in more bedrooms than any of us would like to admit.

“That’s definitely something that could happen potentially,” I nod. “No, that’s totally what we should absolutely do, is get undressed in front of each other, because that is what people do, and really there’s no reason we shouldn’t at all or anything like that. Ha, ha!” I add a small laugh to let him know that I for sure wasn’t wearing undergarments I could only get off with some needle nose pliers and half a bottle of Crisco. Before he can respond, I say, “ButIjustneedtogotothebathroomrealquickokaysojustwaitrightherePLEASEDONOTLEAVE.”

As I turn to the bathroom, I subtly kick his boxer shorts into a dark corner. That move will buy me a few seconds to stop him in case he decides to bolt.

Let me break down modern shapewear for you assholes who can put on polyester-spandex blend and not look like a balloon filled with mashed potatoes: no matter what size we are, many of us have fat distributed in a way that we might consider uneven—it’s like God, during our divine molding, squeezed us like fleshy stress balls, inflating fat pockets at random, and then said, “Uh, sure, that works,” and then dropped us on Earth so He could get started inspiring Kate Bush’s next conceptual album.

This is where shapewear comes in—it smoothes us out, no matter how the Lord squeezed us. And depending on body type, there are several coverage options when it comes to modification via undergarments.

Say you are shaped like a summer squash, and need to crush your thighs into a stunning retreat like the Bolsheviks at Warsaw—simply slide on a pair of mid-thigh shapers, which are basically super-control pantyhose without any legs, and are designed to keep your butt and thighs vacuum-packed through the obligatory photos you have to pose for at your cousin Whitney’s wedding reception. Yes, maybe it’ll be so tight around your legs that your brain will be deprived of oxygen, but it’s only temporary; and, considering Whitney’s marriage is of the shotgun variety to a man your family has only been introduced to as Big Mike, it’s probably best you not have full recall of the blessed, Wild Turkey-soaked occasion anyhow.

Sometimes, though, you need more support than even modified tights can offer. If your “problem area” is from your stomach up—such as rogue back fat that suggests to the otherwise ignorant masses that a colony of ferrets has taken shelter under your ensemble—you are often forced to break out the heavy artillery. This is where bathing suit-like shapewear comes in, and squeeeeeeeezes your torso into a smooth, shapely silhouette. It’s like a hug, if hugs made your tits sweat and brought into question the existence of a just and loving God.

But I will tell you this: for the (with any luck, maximum) five hours you have it on, shapewear makes your clothes look good. Smooth lines. Better fits. Not having to forgo your Friday night ritual of eating a vat of pudding while you watch episodes of Twin Peaks. It’s nothing short of a modern miracle.

But shapewear, as you may have guessed, has a dark side. If it didn’t, I would be busy seeing if I could hook up my vibrator to a car battery for added power instead of writing about my methodology for controlling excess thigh fat on the Internet.

The first problem with shapewear is this: getting it the hell off.

There’s no way elegant way to remove a device that is meant to hold in fat in front of another person—as soon as you manage to shimmy it off, your gut comes spilling out like the just-unsealed contents of a tube of Pillsbury crescent rolls—and now, with a hot dude in my bed waiting for me to disrobe so he can put his parts in my parts, it is the complication I am facing.


science!

Wiggling my gird—er, shapewear—off in quiet desperation, beads of sweat gathering on my forehead like I have just taken the stand at Nuremburg, the second and more complicated component of altering one’s body occurs to me: the shame of wearing one in the first place.

But why was I ashamed? I used a variety of tricks to heighten my attractiveness every day: high heels to appear taller; jewelry to stir a subconscious belief in others that my father is a chieftain offering a large dowry in exchange for my hand; or smearing foundation across my cheeks to mask the fact that up close, my face resembles a satellite photograph of Mercury.

Before I put on my nightie, I take my reflection in and consider my body, and why it is that I fear my nakedness is not good enough.

My arms jiggle. My thighs are creased. My breasts are too large (yes, I was concerned that a heterosexual American male would say, “Your boobies are too big to enjoy. Leave my sight. Speak of this to no one.”). I run a hand across my lower abdomen, the greatest offender. It’s puffy and soft.

In many cultures, I would be considered a beautiful, fertile woman. It wouldn’t even be far off to say I was considered that in our own culture, at least among crowds that like the shape of potentially childbearing women and big naturals porn. Yet I was trying to appear smaller, contort my parts into what I believed was a more sexually usable form.

And now I am afraid to leave the bathroom, terrified that the man in my bed will see me for what I am: a fake. Worse than that, a coward.

And at very, very worst, a glob of cookie dough someone was going to stick his dick in.

But as this is a real life and not a Faulkner story, I can’t leave him in my bed to decay. So I shut off the bathroom light.

I turn the bedroom knob.

When I enter the room, he sits up.

He looks me up and down.

Does he know now I am a massive ball of flesh? Is he afraid of being devoured by my stomach, pummeled by my back fat, swallowed alive by thighs? Doesn’t he realize I have a giant, monstrous vagina, swallowing entire panties whole like The Snatch that Ate Brooklyn?

Then he reaches for me.

Suddenly he is running a hand across my stomach, pulling me tightly, clutching my thighs, my breasts (which, to my surprise, weren’t too big for him?), my shoulders. He kisses me. I turn off the light.

We are here again in the darkness, the two of us. There is no girdle now. I am wearing sweatpants and an oversized t-shirt, drooping off my shoulder like a deflated flirtation.

A few moments pass before he throws an arm over me. “I love the taste of my foot in my mouth,” he says.

“It’s okay,” I tell him.

“No, it’s not.”

“It is,” I tell him. “Because the important thing here is – “ I turn to him, “I got laid, son.”

He laughs, shakes his head, and leads the dogs along. For a moment, I follow behind him.

If he were to turn around, there would be a lot to consider: the glittering of porch lights through shaking leaves, glowing soft as bedside lamps in a third floor bedroom, and a woman there in the darkness, naked for all the world to see.

Text Post

Chapter 1

In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.

“Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.”

He didn’t say any more but we’ve always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. In consequence I’m inclined to reserve all judgments, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought–frequently I have feigned sleep, preoccupation, or a hostile levity when I realized by some unmistakable sign that an intimate revelation was quivering on the horizon–for the intimate revelations of young men or at least the terms in which they express them are usually plagiaristic and marred by obvious suppressions. Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat a sense of the fundamental decencies is parcelled out unequally at birth.

And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes but after a certain point I don’t care what it’s founded on.

When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction–Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the “creative temperament”–it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No–Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.

My family have been prominent, well-to-do people in this middle-western city for three generations. The Carraways are something of a clan and we have a tradition that we’re descended from the Dukes of Buccleuch, but the actual founder of my line was my grandfather’s brother who came here in fifty-one, sent a substitute to the Civil War and started the wholesale hardware business that my father carries on today.

I never saw this great-uncle but I’m supposed to look like him–with special reference to the rather hard-boiled painting that hangs in Father’s office. I graduated from New Haven in 1915, just a quarter of a century after my father, and a little later I participated in that delayed Teutonic migration known as the Great War. I enjoyed the counter-raid so thoroughly that I came back restless. Instead of being the warm center of the world the middle-west now seemed like the ragged edge of the universe–so I decided to go east and learn the bond business. Everybody I knew was in the bond business so I supposed it could support one more single man. All my aunts and uncles talked it over as if they were choosing a prep-school for me and finally said, “Why–yees” with very grave, hesitant faces. Father agreed to finance me for a year and after various delays I came east, permanently, I thought, in the spring of twenty-two.

The practical thing was to find rooms in the city but it was a warm season and I had just left a country of wide lawns and friendly trees, so when a young man at the office suggested that we take a house together in a commuting town it sounded like a great idea. He found the house, a weather beaten cardboard bungalow at eighty a month, but at the last minute the firm ordered him to Washington and I went out to the country alone. I had a dog, at least I had him for a few days until he ran away, and an old Dodge and a Finnish woman who made my bed and cooked breakfast and muttered Finnish wisdom to herself over the electric stove.

It was lonely for a day or so until one morning some man, more recently arrived than I, stopped me on the road.

“How do you get to West Egg village?” he asked helplessly.

I told him. And as I walked on I was lonely no longer. I was a guide, a pathfinder, an original settler. He had casually conferred on me the freedom of the neighborhood.

And so with the sunshine and the great bursts of leaves growing on the trees–just as things grow in fast movies–I had that familiar conviction that life was beginning over again with the summer.

There was so much to read for one thing and so much fine health to be pulled down out of the young breath-giving air. I bought a dozen volumes on banking and credit and investment securities and they stood on my shelf in red and gold like new money from the mint, promising to unfold the shining secrets that only Midas and Morgan and Maecenas knew. And I had the high intention of reading many other books besides.

I was rather literary in college–one year I wrote a series of very solemn and obvious editorials for the “Yale News”–and now I was going to bring back all such things into my life and become again that most limited of all specialists, the “well-rounded man.” This isn’t just an epigram–life is much more successfully looked at from a single window, after all.

It was a matter of chance that I should have rented a house in one of the strangest communities in North America. It was on that slender riotous island which extends itself due east of New York and where there are, among other natural curiosities, two unusual formations of land. Twenty miles from the city a pair of enormous eggs, identical in contour and separated only by a courtesy bay, jut out into the most domesticated body of salt water in the Western Hemisphere, the great wet barnyard of Long Island Sound. They are not perfect ovals–like the egg in the Columbus story they are both crushed flat at the contact end–but their physical resemblance must be a source of perpetual confusion to the gulls that fly overhead. To the wingless a more arresting phenomenon is their dissimilarity in every particular except shape and size.

I lived at West Egg, the–well, the less fashionable of the two, though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. My house was at the very tip of the egg, only fifty yards from the Sound, and squeezed between two huge places that rented for twelve or fifteen thousand a season. The one on my right was a colossal affair by any standard–it was a factual imitation of some H�tel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool and more than forty acres of lawn and garden. It was Gatsby’s mansion.

Or rather, as I didn’t know Mr. Gatsby it was a mansion inhabited by a gentleman of that name. My own house was an eye-sore, but it was a small eye-sore, and it had been overlooked, so I had a view of the water, a partial view of my neighbor’s lawn, and the consoling proximity of millionaires–all for eighty dollars a month.

Across the courtesy bay the white palaces of fashionable East Egg glittered along the water, and the history of the summer really begins on the evening I drove over there to have dinner with the Tom Buchanans. Daisy was my second cousin once removed and I’d known Tom in college. And just after the war I spent two days with them in Chicago.

Her husband, among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven–a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterward savors of anti-climax. His family were enormously wealthy–even in college his freedom with money was a matter for reproach–but now he’d left Chicago and come east in a fashion that rather took your breath away: for instance he’d brought down a string of polo ponies from Lake Forest.

It was hard to realize that a man in my own generation was wealthy enough to do that.

Why they came east I don’t know. They had spent a year in France, for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. This was a permanent move, said Daisy over the telephone, but I didn’t believe it–I had no sight into Daisy’s heart but I felt that Tom would drift on forever seeking a little wistfully for the dramatic turbulence of some irrecoverable football game.

And so it happened that on a warm windy evening I drove over to East Egg to see two old friends whom I scarcely knew at all. Their house was even more elaborate than I expected, a cheerful red and white Georgian Colonial mansion overlooking the bay. The lawn started at the beach and ran toward the front door for a quarter of a mile, jumping over sun-dials and brick walks and burning gardens–finally when it reached the house drifting up the side in bright vines as though from the momentum of its run. The front was broken by a line of French windows, glowing now with reflected gold, and wide open to the warm windy afternoon, and Tom Buchanan in riding clothes was standing with his legs apart on the front porch.

He had changed since his New Haven years. Now he was a sturdy, straw haired man of thirty with a rather hard mouth and a supercilious manner.

Two shining, arrogant eyes had established dominance over his face and gave him the appearance of always leaning aggressively forward. Not even the effeminate swank of his riding clothes could hide the enormous power of that body–he seemed to fill those glistening boots until he strained the top lacing and you could see a great pack of muscle shifting when his shoulder moved under his thin coat. It was a body capable of enormous leverage–a cruel body.

His speaking voice, a gruff husky tenor, added to the impression of fractiousness he conveyed. There was a touch of paternal contempt in it, even toward people he liked–and there were men at New Haven who had hated his guts.

“Now, don’t think my opinion on these matters is final,” he seemed to say, “just because I’m stronger and more of a man than you are.” We were in the same Senior Society, and while we were never intimate I always had the impression that he approved of me and wanted me to like him with some harsh, defiant wistfulness of his own.

We talked for a few minutes on the sunny porch.

“I’ve got a nice place here,” he said, his eyes flashing about restlessly.

Turning me around by one arm he moved a broad flat hand along the front vista, including in its sweep a sunken Italian garden, a half acre of deep pungent roses and a snub-nosed motor boat that bumped the tide off shore.

“It belonged to Demaine the oil man.” He turned me around again, politely and abruptly. “We’ll go inside.”

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end.

The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding cake of the ceiling–and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.

The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall.

Then there was a boom as Tom Buchanan shut the rear windows and the caught wind died out about the room and the curtains and the rugs and the two young women ballooned slowly to the floor.

The younger of the two was a stranger to me. She was extended full length at her end of the divan, completely motionless and with her chin raised a little as if she were balancing something on it which was quite likely to fall. If she saw me out of the corner of her eyes she gave no hint of it–indeed, I was almost surprised into murmuring an apology for having disturbed her by coming in.

The other girl, Daisy, made an attempt to rise–she leaned slightly forward with a conscientious expression–then she laughed, an absurd, charming little laugh, and I laughed too and came forward into the room.

“I’m p-paralyzed with happiness.”

She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so much wanted to see. That was a way she had.

She hinted in a murmur that the surname of the balancing girl was Baker.

(I’ve heard it said that Daisy’s murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.)

At any rate Miss Baker’s lips fluttered, she nodded at me almost imperceptibly and then quickly tipped her head back again–the object she was balancing had obviously tottered a little and given her something of a fright. Again a sort of apology arose to my lips. Almost any exhibition of complete self sufficiency draws a stunned tribute from me.

I looked back at my cousin who began to ask me questions in her low, thrilling voice. It was the kind of voice that the ear follows up and down as if each speech is an arrangement of notes that will never be played again. Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth–but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour.

I told her how I had stopped off in Chicago for a day on my way east and how a dozen people had sent their love through me.

“Do they miss me?” she cried ecstatically.

“The whole town is desolate. All the cars have the left rear wheel painted black as a mourning wreath and there’s a persistent wail all night along the North Shore.”

“How gorgeous! Let’s go back, Tom. Tomorrow!” Then she added irrelevantly, “You ought to see the baby.”

“I’d like to.”

“She’s asleep. She’s two years old. Haven’t you ever seen her?”

“Never.”

“Well, you ought to see her. She’s—-”

Tom Buchanan who had been hovering restlessly about the room stopped and rested his hand on my shoulder.

“What you doing, Nick?”

“I’m a bond man.”

“Who with?”

I told him.

“Never heard of them,” he remarked decisively.

This annoyed me.

“You will,” I answered shortly. “You will if you stay in the East.”

“Oh, I’ll stay in the East, don’t you worry,” he said, glancing at Daisy and then back at me, as if he were alert for something more.

“I’d be a God Damned fool to live anywhere else.”

At this point Miss Baker said “Absolutely!” with such suddenness that I started–it was the first word she uttered since I came into the room.

Evidently it surprised her as much as it did me, for she yawned and with a series of rapid, deft movements stood up into the room.

“I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.”

“Don’t look at me,” Daisy retorted. “I’ve been trying to get you to New York all afternoon.”

“No, thanks,” said Miss Baker to the four cocktails just in from the pantry, “I’m absolutely in training.”

Her host looked at her incredulously.

“You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.”

I looked at Miss Baker wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before.

“You live in West Egg,” she remarked contemptuously. “I know somebody there.”

“I don’t know a single—-”

“You must know Gatsby.”

“Gatsby?” demanded Daisy. “What Gatsby?”

Before I could reply that he was my neighbor dinner was announced; wedging his tense arm imperatively under mine Tom Buchanan compelled me from the room as though he were moving a checker to another square.

Slenderly, languidly, their hands set lightly on their hips the two young women preceded us out onto a rosy-colored porch open toward the sunset where four candles flickered on the table in the diminished wind.

“Why CANDLES?” objected Daisy, frowning. She snapped them out with her fingers. “In two weeks it’ll be the longest day in the year.”

She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.”

“We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed.

“All right,” said Daisy. “What’ll we plan?” She turned to me helplessly.

“What do people plan?”

Before I could answer her eyes fastened with an awed expression on her little finger.

“Look!” she complained. “I hurt it.”

We all looked–the knuckle was black and blue.

“You did it, Tom,” she said accusingly. “I know you didn’t mean to but you DID do it. That’s what I get for marrying a brute of a man, a great big hulking physical specimen of a—-”

“I hate that word hulking,” objected Tom crossly, “even in kidding.”

“Hulking,” insisted Daisy.

Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here–and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West where an evening was hurried from phase to phase toward its close in a continually disappointed anticipation or else in sheer nervous dread of the moment itself.

“You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?”

I meant nothing in particular by this remark but it was taken up in an unexpected way.

“Civilization’s going to pieces,” broke out Tom violently.

“I’ve gotten to be a terrible pessimist about things. Have you read ‘The Rise of the Coloured Empires’ by this man Goddard?”

“Why, no,” I answered, rather surprised by his tone.

“Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be–will be utterly submerged.

It’s all scientific stuff; it’s been proved.”

“Tom’s getting very profound,” said Daisy with an expression of unthoughtful sadness. “He reads deep books with long words in them.

What was that word we—-”

“Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us who are the dominant race to watch out or these other races will have control of things.”

“We’ve got to beat them down,” whispered Daisy, winking ferociously toward the fervent sun.

“You ought to live in California–” began Miss Baker but Tom interrupted her by shifting heavily in his chair.

“This idea is that we’re Nordics. I am, and you are and you are and—-” After an infinitesimal hesitation he included Daisy with a slight nod and she winked at me again. “–and we’ve produced all the things that go to make civilization–oh, science and art and all that.
Do you see?”

There was something pathetic in his concentration as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned toward me.

“I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?”

“That’s why I came over tonight.”

“Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people.

He had to polish it from morning till night until finally it began to affect his nose—-”

“Things went from bad to worse,” suggested Miss Baker.

“Yes. Things went from bad to worse until finally he had to give up his position.”

For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened–then the glow faded, each light deserting her with lingering regret like children leaving a pleasant street at dusk.

The butler came back and murmured something close to Tom’s ear whereupon Tom frowned, pushed back his chair and without a word went inside. As if his absence quickened something within her Daisy leaned forward again, her voice glowing and singing.

“I love to see you at my table, Nick. You remind me of a–of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation.

“An absolute rose?”

This was untrue. I am not even faintly like a rose. She was only extemporizing but a stirring warmth flowed from her as if her heart was trying to come out to you concealed in one of those breathless, thrilling words. Then suddenly she threw her napkin on the table and excused herself and went into the house.

Miss Baker and I exchanged a short glance consciously devoid of meaning. I was about to speak when she sat up alertly and said “Sh!” in a warning voice. A subdued impassioned murmur was audible in the room beyond and Miss Baker leaned forward, unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether.

“This Mr. Gatsby you spoke of is my neighbor—-” I said.

“Don’t talk. I want to hear what happens.”

“Is something happening?” I inquired innocently.

“You mean to say you don’t know?” said Miss Baker, honestly surprised.

“I thought everybody knew.”

“I don’t.”

“Why—-” she said hesitantly, “Tom’s got some woman in New York.”

“Got some woman?” I repeated blankly.

Miss Baker nodded.

“She might have the decency not to telephone him at dinner-time. Don’t you think?”

Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots and Tom and Daisy were back at the table.

“It couldn’t be helped!” cried Daisy with tense gayety.

She sat down, glanced searchingly at Miss Baker and then at me and continued: “I looked outdoors for a minute and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—-” her voice sang “—-It’s romantic, isn’t it, Tom?”

“Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner I want to take you down to the stables.”

The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at every one and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking but I doubt if even Miss Baker who seemed to have mastered a certain hardy skepticism was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing–my own instinct was to telephone immediately for the police.

The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them strolled back into the library, as if to a vigil beside a perfectly tangible body, while trying to look pleasantly interested and a little deaf I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee.

Daisy took her face in her hands, as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl.

“We don’t know each other very well, Nick,” she said suddenly.

“Even if we are cousins. You didn’t come to my wedding.”

“I wasn’t back from the war.”

“That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.”

Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter.

“I suppose she talks, and–eats, and everything.”

“Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?”

“Very much.”

“It’ll show you how I’ve gotten to feel about–things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool–that’s the best thing a girl can be in this world, a beautiful little fool.”

“You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so–the most advanced people. And I KNOW.

I’ve been everywhere and seen everything and done everything.”

Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated–God, I’m sophisticated!”

The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said.

It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged.

Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the “Saturday Evening Post”–the words, murmurous and uninflected, running together in a soothing tune. The lamp-light, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms.

When we came in she held us silent for a moment with a lifted hand.

“To be continued,” she said, tossing the magazine on the table, “in our very next issue.”

Her body asserted itself with a restless movement of her knee, and she stood up.

“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.”

“Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.”

“Oh,–you’re JORdan Baker.”

I knew now why her face was familiar–its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago.

“Good night,” she said softly. “Wake me at eight, won’t you.”

“If you’ll get up.”

“I will. Good night, Mr. Carraway. See you anon.”

“Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of–oh–fling you together. You know–lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—-”

“Good night,” called Miss Baker from the stairs. “I haven’t heard a word.”

“She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.”

“Who oughtn’t to?” inquired Daisy coldly.

“Her family.”

“Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of week-ends out here this summer. I think the home influence will be very good for her.”

Daisy and Tom looked at each other for a moment in silence.

“Is she from New York?” I asked quickly.

“From Louisville. Our white girlhood was passed together there. Our beautiful white—-”

“Did you give Nick a little heart to heart talk on the veranda?” demanded Tom suddenly.

“Did I?” She looked at me. “I can’t seem to remember, but I think we talked about the Nordic race. Yes, I’m sure we did. It sort of crept up on us and first thing you know—-”

“Don’t believe everything you hear, Nick,” he advised me.

I said lightly that I had heard nothing at all, and a few minutes later I got up to go home. They came to the door with me and stood side by side in a cheerful square of light. As I started my motor Daisy peremptorily called “Wait!

“I forgot to ask you something, and it’s important. We heard you were engaged to a girl out West.”

“That’s right,” corroborated Tom kindly. “We heard that you were engaged.”

“It’s libel. I’m too poor.”

“But we heard it,” insisted Daisy, surprising me by opening up again in a flower-like way. “We heard it from three people so it must be true.”

Of course I knew what they were referring to, but I wasn’t even vaguely engaged. The fact that gossip had published the banns was one of the reasons I had come east. You can’t stop going with an old friend on account of rumors and on the other hand I had no intention of being rumored into marriage.

Their interest rather touched me and made them less remotely rich–nevertheless, I was confused and a little disgusted as I drove away. It seemed to me that the thing for Daisy to do was to rush out of the house, child in arms–but apparently there were no such intentions in her head. As for Tom, the fact that he “had some woman in New York” was really less surprising than that he had been depressed by a book.

Something was making him nibble at the edge of stale ideas as if his sturdy physical egotism no longer nourished his peremptory heart.

Already it was deep summer on roadhouse roofs and in front of wayside garages, where new red gas-pumps sat out in pools of light, and when I reached my estate at West Egg I ran the car under its shed and sat for a while on an abandoned grass roller in the yard. The wind had blown off, leaving a loud bright night with wings beating in the trees and a persistent organ sound as the full bellows of the earth blew the frogs full of life. The silhouette of a moving cat wavered across the moonlight and turning my head to watch it I saw that I was not alone–fifty feet away a figure had emerged from the shadow of my neighbor’s mansion and was standing with his hands in his pockets regarding the silver pepper of the stars. Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens.

I decided to call to him. Miss Baker had mentioned him at dinner, and that would do for an introduction. But I didn’t call to him for he gave a sudden intimation that he was content to be alone–he stretched out his arms toward the dark water in a curious way, and far as I was from him I could have sworn he was trembling. Involuntarily I glanced seaward–and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness.

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